"I like to swear, I treat it like a medium."
The artwork "Xingamentos (Swearings)" by Analize Nicolini is a compelling exploration of the intersection between everyday sounds, personal expression, and societal urgency. The single-channel sound installation, lasting 5 minutes and 26 seconds, immerses the audience in a sonic experience that transcends traditional artistic media.
The artist begins by capturing and sharing commonplace sounds, transforming them into a raw, unfiltered expression of the subconscious. The use of swearing as a medium adds a layer of visceral intensity to the work. The artist boldly declares, "I like to swear, I treat it like a medium," suggesting a deliberate choice to engage with language as a powerful tool for artistic expression.
As the utterance evolves into a crescendo, the sound intervention becomes a manifesto that demands the attention of the spectator. The imperative act embedded in the audio challenges the audience to reflect on the urgency of new actions required to ensure the existence of life and the planet. This element of urgency and persuasion is a strong thematic undercurrent that runs throughout the installation.
The artist's decision to incorporate everyday sounds, coupled with the intensity of swearing, creates a visceral and immersive experience for the audience. The installation goes beyond the auditory senses, inviting a deeper engagement that forces contemplation and reflection. The artist's ability to use sound as a resource not only for self-expression but also as a call to action is a testament to the power of contemporary multimedia art.
"Xingamentos (Swearings)" prompts viewers to consider the role of art in addressing pressing societal issues. The work challenges the audience to confront the uncomfortable and demands a response, making it a thought-provoking and impactful piece. Overall, Nicolini successfully employs sound as a dynamic and unconventional medium, pushing the boundaries of contemporary art and leaving a lasting impression on those who experience it.
Fernanda Andrade
Independent Brazilian art curator based in Venice. Co-founder and curator at the curatorial collective a.topos Venice
